Emerging from the histories of modernism, Angelika Loderer’s (* 1984, lives and works in Vienna) work is also framed by the conditions of the present. On the one hand, she activates the performative power of the informe —agitating the modernist delineation between form and content. On the other hand, she is situated in a contemporary moment characterized by modes of living in which contingency becomes the norm. In this double context, Loderer has developed a body of work that incorporates contingency as a formative condition. Her work makes use of materials, processes, and display mechanisms that constantly perform and expose the object’s internal balancing act in relation to an equally contingent spectator.

Loderer studied at the University of Applied Arts, Vienna (AT), at Wimbledon College of Art, London (UK) as well as at Hendrix College, Arkansas (USA).

Recent solo exhibitions include: 2022 ‘Marshlands’ at SOPHIE TAPPEINER, Vienna (AT); 2020 ‘Night Pieces’ at SOPHIE TAPPEINER, Vienna (AT); 2019 ‘Pretend to be Fine’, Kunstfenster Gnas, Gnas (AT); 2018  ‘Poems to Gadgets’  at Grazer Kunstverein, Graz (AT); 2017 ‘Quiet Fonts’ at Sophie Tappeiner, Vienna (AT); ‘Angelika Loderer’ at Secession, Vienna (AT); 2016 ‘Animate’ at Salzburger Kunstverein, Salzburg (AT); 2015 ‘Coming in Pieces’ at Dortmunder Kunstverein, Dortmund (DE).

Selected group shows include: 2023 ‘Mud Keeper’s Promise‘, Kunsthalle Bratislava (SK), ‘Canned Heat‘, CFA Berlin (DE); 2022 ‘LOOK‘, Heidi Horten Collection, Wien (AT), ‘Avantgarde und Gegenwart‘, curated by Luisa Ziaja, Belvedere 21, Wien (AT),  ‘Sammlungspolitik’, Museum der Moderne Salzburg (AT), ‘HIER UND JETZT’, curated by Herwig Kempinger and Kania Matt-Uszynska, Neuer Wiener Kunstverein, Vienna (AT), ‘Ebbing Touch‘, Galeria Madragoa hosting SOPHIE TAPPEINER, Galeria Madragoa, Lisbon (PT); 2021 ‘Soft Water, Hard Stone‘, New Museum Triennial curated by Jamillah James and Margot Norton, New Museum, New York City (US),  ‘Avantgarde und Gegenwart‘, Belvedere 21, Vienna (AT), ‘Dilithium‘, Futura, Prague (CZ), ‘FOSTER.The Soil and Water Residency‘, Vienna Biennale, Museum of Applied Art Vienna, Vienna (AT), ‘SHOWING STYRIA: what will be. Towards a Plurality of Futures‘, Kunsthaus Graz, Graz (AT); 2020 ‘Pina at 4649‘, 4649, Tokyo (JP), ‘Where the Wild Roses grow‘ at Pina, Vienna (AT); 2019  ‘all natural. 100% Sammlung’ at Museum der Moderne Salzburg /Mönchsberg (AT); ‘On the New. Young Scenes in Vienna’ at Belvedere 21 – Museum of Contemporary Art, Vienna (AT); 2018 ‘Dead End Galaxies’ at Exile Gallery, Berlin (DE); 2017 ‘Platonic Dust at El Quinto Piso, Mexico City (MX).

Her work is included in the permanent collections of Albertina, Belvedere 21, Kunsthaus Bregenz, Landesgalerie Linz, Lentos, Museum der Moderne Salzburg, Universalmuseum Joanneum and EVN, among others.