Bio

The work of Jasmine Gregory (*1987 in Washington, D.C., lives and works in Zurich) examines the systems that define value and legitimacy, and what happens when those systems break. Working in painting and installation, she uses language, abstraction, and strategies of display to interrogate the contracts—social, aesthetic, and economic—that shape wealth, property, and taste.

Solo exhibitions include Audacity Unlimited, Soft Opening, London, Diva’s Lounge, SOPHIE TAPPEINER, Vienna (2025); Who Wants to Die for Glamour, MoMa PS1, New York City, I’d rather be mourning, Karma International, Zurich (2024), If I Can’t Have it, No One Can, CAPC Musée d’art contemporain Bordeaux, Bordeaux (2023), Believe in ur Dreams, Martina Simeti, Milan,  A little Newer, A Little Better, A Little Sooner Than is Necessary, SOPHIE TAPPEINER, Vienna (2023), Mommie Dearest, Istituto Svizzero, Milan, Heirlooms, King’s Leap, New York City (2022), Home Improvements, Park View / Paul Soto, Brussels (2021)

Recently, her work has been included in group shows held at Karma International, Zurich (2025); Fitzpatrick Gallery, Paris (2023), Centre D’Art Contemporain, Genève, Kunsthalle Fri Art, Fribourg (2022). 

 

 

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