Bio

Angelika Loderer’s (*1984 in Feldbach, lives and works in Vienna) works primarily with sculpture and installation, using experimental casting processes and organic matter to question established ideas of sculptural form through the tension between perishability and durability. Her work emerges through physical processes that are partly experimental and beyond her control.

Loderer studied at the University of Applied Arts, Vienna (AT), at Wimbledon College of Art, London (UK) as well as at Hendrix College, Arkansas (USA).

Solo exhibitions include: Atlas to Time, Kunsthalle Feldbach, City Body, SOPHIE TAPPEINER, Vienna, (2025); Soil Fictions, Belvedere 21 Vienna, (2024); Phantoms, CFA, Berlin (2023); Marshlands, SOPHIE TAPPEINER, Vienna (2022); Night Pieces, SOPHIE TAPPEINER, Vienna (2020); Pretend to be Fine, Kunstfenster Gnas, Gnas (2019); Poems to Gadgets, Grazer Kunstverein, Graz (2018); Quiet Fonts, SOPHIE TAPPEINER, Vienna; Angelika Loderer, Secession, Vienna (2017); Animate, Salzburger Kunstverein, Salzburg (2016); Coming in Pieces, Dortmunder Kunstverein, Dortmund (2015).

Recently, her work has been included in group shows held at Dom Museum Wien, Fotogalerie Wien, Shisanwu, New York, Kunsthaus Glarus, Kunsthalle Wien (2026); Ravnikar, Liubljana, Neue Galerie Graz, Berthold Pott, Cologne, R;68, Cologne (2025); Zeller van Almsick, Wien, Lentos Kunstmuseum Linz, Museum der Moderne, Salzburg, ALBERTINA, Vienna, Thaddaeus Ropac, Paris, ALBERTINA MODERN, Vienna (2024); MEP, Paris, Kunsthalle Bratislava, Contemporary Fine Arts, Berlin (2023); Heidi Horten Collection, Belvedere 21, Neuer Wiener Kunstverein, Vienna (2022); New Museum, New York City (2021).

Her work is included in the permanent collections of  Albertina, Belvedere 21, Kunsthaus Bregenz, Centre Pompidou, Paris, Landesgalerie Linz, Lentos, MAK – Österreichisches Museum für angewandte Kunst, Museum der Moderne Salzburg, Tiroler Landesmuseum Ferdinandeum, Universalmuseum Joanneum and EVN, among others.

 

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